{'ObjectID' : '1391', 'ObjectCode' : 'N-0773-00', 'ObjectNumber' : 'NG773', 'ObjectDateBegin' : '1468-01-01', 'ObjectDateEnd' : '1472-12-31', 'ObjectDisplayDate' : 'probably about 1470', 'ObjectDimensions' : '101 x 57.2 cm', 'ObjectMedium' : 'Oil and egg on poplar', 'ObjectAlphaSort' : 'Tura, Cosimo', 'ObjectAuthor' : 'Cosimo Tura, before 1431 - 1495', 'ObjectTitle' : 'Saint Jerome', 'ObjectShortTitle' : 'Saint Jerome', 'ObjectCreditLine' : 'Bought, 1867', 'ObjectString' : 'NG773: Cosimo Tura, before 1431 - 1495, Saint Jerome, probably about 1470, Oil and egg on poplar, (101 x 57.2 cm), Bought, 1867.', 'ObjectLocation' : 'Room 51', 'ObjectPrivateLocation' : 'Gallery 51', 'ObjectPublicLocation' : 'Room 51', 'ObjectSchool' : 'Italian (Ferrarese)', 'ObjectCurator' : 'Luke Syson', 'ObjectDescription' : 'Saint Jerome is represented as though in the wilderness, where he retired in about 374-6. The Bible, which he translated into Latin from the original Greek and Hebrew, lies nearby, and he is accompanied by the lion from whose paw, according to legend, Jerome drew out a thorn.
A vision of the Crucified Christ has been cut from the top of NG 773 and is now in Milan (Brera). In the right background a donor and Saint Francis, or conceivably a friar adopting the saint\'s pose at the Stigmatisation, appear to look up at where the vision of the Crucified Christ was positioned. An owl (which has caught a frog) and a wall creeper are visible on the tree. On the left friars seem to be involved in a building project. NG 773 could have been placed as the altarpiece in a newly built chapel of Saint Jerome in a Franciscan church or in a private chapel.
NG 773 has a very finished underdrawing that can be seen through the thin layers of flesh paint.
Rizzoni collection, Ferrara, about 1783; bought by Sir Charles Eastlake from the Costabili collection, Ferrara, after 1858; bought from Lady Eastlake, 1867.
Davies 1961, pp. 516-17
Dunkerton 1991, pp. 169, 171
Dunkerton 1994, pp. 42-53', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1368', 'ImageFile' : 'N-0773-00-000054-WZ-PYR.tif', 'ImageCode' : 'N-0773-00-000054-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '3396', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2415'} /* Array ( [0] => 
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    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1368'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
2415 --> 1368 N-0773-00 Cosimo Tura, before 1431 - 1495
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Array
(
    [ObjectID] => 1391
    [ObjectCode] => N-0773-00
    [ObjectNumber] => NG773
    [ObjectDateBegin] => 1468-01-01
    [ObjectDateEnd] => 1472-12-31
    [ObjectDisplayDate] => probably about 1470
    [ObjectDimensions] => 101 x 57.2 cm
    [ObjectMedium] => Oil and egg on poplar
    [ObjectAlphaSort] => Tura, Cosimo
    [ObjectAuthor] => Cosimo Tura, before 1431 - 1495
    [ObjectTitle] => Saint Jerome
    [ObjectShortTitle] => Saint Jerome
    [ObjectCreditLine] => Bought, 1867
    [ObjectString] => NG773: Cosimo Tura, before 1431 - 1495, Saint Jerome, probably about 1470, Oil and egg on poplar, (101 x 57.2 cm), Bought, 1867.
    [ObjectLocation] => Room 51
    [ObjectPrivateLocation] => Gallery 51
    [ObjectPublicLocation] => Room 51
    [ObjectSchool] => Italian (Ferrarese)
    [ObjectCurator] => Luke Syson
    [ObjectDescription] => Saint Jerome is represented as though in the wilderness, where he retired in about 374-6. The Bible, which he translated into Latin from the original Greek and Hebrew, lies nearby, and he is accompanied by the lion from whose paw, according to legend, Jerome drew out a thorn.
A vision of the Crucified Christ has been cut from the top of NG 773 and is now in Milan (Brera). In the right background a donor and Saint Francis, or conceivably a friar adopting the saint\'s pose at the Stigmatisation, appear to look up at where the vision of the Crucified Christ was positioned. An owl (which has caught a frog) and a wall creeper are visible on the tree. On the left friars seem to be involved in a building project. NG 773 could have been placed as the altarpiece in a newly built chapel of Saint Jerome in a Franciscan church or in a private chapel.
NG 773 has a very finished underdrawing that can be seen through the thin layers of flesh paint.
Rizzoni collection, Ferrara, about 1783; bought by Sir Charles Eastlake from the Costabili collection, Ferrara, after 1858; bought from Lady Eastlake, 1867.
Davies 1961, pp. 516-17
Dunkerton 1991, pp. 169, 171
Dunkerton 1994, pp. 42-53
    [ObjectStatusID] => 1
    [PublicAccess] => 1
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    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 1368
    [ImageFile] => N-0773-00-000054-WZ-PYR.tif
    [ImageCode] => N-0773-00-000054-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 3396
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 2415
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