{'ObjectID' : '1327', 'ObjectCode' : 'N-6477-00', 'ObjectNumber' : 'NG6477', 'ObjectDateBegin' : '1636-01-01', 'ObjectDateEnd' : '1636-12-31', 'ObjectDisplayDate' : '1636', 'ObjectDimensions' : '135.9 x 146 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Poussin, Nicolas', 'ObjectAuthor' : 'Nicolas Poussin, 1594 - 1665', 'ObjectTitle' : 'The Triumph of Pan', 'ObjectShortTitle' : 'The Triumph of Pan', 'ObjectCreditLine' : 'Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1982', 'ObjectString' : 'NG6477: Nicolas Poussin, 1594 - 1665, The Triumph of Pan, 1636, Oil on canvas, (135.9 x 146 cm), Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1982.', 'ObjectLocation' : 'Not on display', 'ObjectPrivateLocation' : 'On Loan', 'ObjectPublicLocation' : 'Not on display', 'ObjectSchool' : 'French', 'ObjectCurator' : 'Humphrey Wine', 'ObjectDescription' : 'A number of literary and visual references are combined in this pagan celebration. Nymphs and satyrs with goats carouse before a term of the god Pan. His identity may here be combined with that of Priapus. Pan was god of woods and fields, and Priapus a deity of gardens; both are associated with fertility and Bacchic ritual. The instruments played, the sacrificial deer, and the props in the foreground are either attributes of these figures or linked with such rites. They include panpipes, thyrsi, theatrical masks (comedy, tragedy and satire), and a shepherd\'s staff. The figure with a staff on the side of the urn (bottom, right) may also be Pan.<BR>The painting was executed with The Triumph of Bacchus (Kansas City, Nelson-Atkins Museum of Art) for Cardinal Richelieu; both works left Rome in May 1636. They hung in the Cabinet de la Chambre du Roi in Richelieu\'s château, with pictures by Mantegna, Perugino and Costa. (See also, Attributed to Poussin NG 42.)<BR>A number of preparatory drawings are known. Some figures in the painting were borrowed from an engraving after Giulio Romano of The Triumph of Priapus. The trees in the background recall The Feast of the Gods by Giovanni Bellini and Titian (Washington, National Gallery of Art).<BR>Cardinal Richelieu; bought by James Morrison, 1850; bought with contributions from the NHMF and the NACF, 1982.<BR>Blunt 1966, p. 97<BR>Thuillier 1974, p. 97<BR>Wild 1980, p. 67<BR>Brigstocke 1981, pp. 44-52<BR>Wright 1985, p. 178<BR>Mérot 1990, p. 275<BR>Wine 1992, pp. 166-73', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1300', 'ImageFile' : 'N-6477-00-000025-WZ-PYR.tif', 'ImageCode' : 'N-6477-00-000025-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '5551', 'FileGroup_ID' : '14', 'impos' : '1940'}

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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [whichdb] => externalIIP
    [whichtable] => Image
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</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '1300' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">1940 --> 1300 N-6477-00 Nicolas Poussin, 1594 - 1665</td></tr></table>
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    [ObjectTitle] => The Triumph of Pan
    [ObjectShortTitle] => The Triumph of Pan
    [ObjectCreditLine] => Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1982
    [ObjectString] => NG6477: Nicolas Poussin, 1594 - 1665, The Triumph of Pan, 1636, Oil on canvas, (135.9 x 146 cm), Bought with contributions from the National Heritage Memorial Fund and The Art Fund, 1982.
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    [ObjectSchool] => French
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    [ObjectDescription] => A number of literary and visual references are combined in this pagan celebration. Nymphs and satyrs with goats carouse before a term of the god Pan. His identity may here be combined with that of Priapus. Pan was god of woods and fields, and Priapus a deity of gardens; both are associated with fertility and Bacchic ritual. The instruments played, the sacrificial deer, and the props in the foreground are either attributes of these figures or linked with such rites. They include panpipes, thyrsi, theatrical masks (comedy, tragedy and satire), and a shepherd\'s staff. The figure with a staff on the side of the urn (bottom, right) may also be Pan.<BR>The painting was executed with The Triumph of Bacchus (Kansas City, Nelson-Atkins Museum of Art) for Cardinal Richelieu; both works left Rome in May 1636. They hung in the Cabinet de la Chambre du Roi in Richelieu\'s château, with pictures by Mantegna, Perugino and Costa. (See also, Attributed to Poussin NG 42.)<BR>A number of preparatory drawings are known. Some figures in the painting were borrowed from an engraving after Giulio Romano of The Triumph of Priapus. The trees in the background recall The Feast of the Gods by Giovanni Bellini and Titian (Washington, National Gallery of Art).<BR>Cardinal Richelieu; bought by James Morrison, 1850; bought with contributions from the NHMF and the NACF, 1982.<BR>Blunt 1966, p. 97<BR>Thuillier 1974, p. 97<BR>Wild 1980, p. 67<BR>Brigstocke 1981, pp. 44-52<BR>Wright 1985, p. 178<BR>Mérot 1990, p. 275<BR>Wine 1992, pp. 166-73
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*/