{'ObjectID' : '117', 'ObjectCode' : 'N-0268-00', 'ObjectNumber' : 'NG268', 'ObjectDateBegin' : '1573-01-01', 'ObjectDateEnd' : '1573-12-31', 'ObjectDisplayDate' : '1573', 'ObjectDimensions' : '355.6 x 320 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Veronese, Paolo', 'ObjectAuthor' : 'Paolo Veronese, 1528 - 1588', 'ObjectTitle' : 'The Adoration of the Kings', 'ObjectShortTitle' : 'The Adoration of the Kings', 'ObjectCreditLine' : 'Bought, 1855', 'ObjectString' : 'NG268: Paolo Veronese, 1528 - 1588, The Adoration of the Kings, 1573, Oil on canvas, (355.6 x 320 cm), Bought, 1855.', 'ObjectLocation' : 'Room 9', 'ObjectPrivateLocation' : 'Gallery 09', 'ObjectPublicLocation' : 'Room 9', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'Dated bottom right: M.D.LXXIII. [1573].
The Three Kings have sought out the Child Jesus in the stable where he was born. They bear gifts (gold, frankincense and myrrh) and have journeyed from the East. New Testament (Matthew 2: 10-12). The ruins are intended to suggest that the new Christian order was born out of the decay of the old pagan order.
NG 268 comes from the church of S. Silvestro, Venice, where it was described in 1581. The attribution to Veronese has never been doubted, though varying degrees of studio assistance have been suggested. Given the date on the picture (1573), studio assistance would not be surprising: Veronese was also painting the huge canvas of the Feast in the House of Levi (Venice, Accademia) in this year.
Three drawings have been related to NG 268 (Haarlem, Teylers Museum; formerly Haarlem, Koenigs collection; formerly New York, Lehmann Collection). Several copies of the composition are known. The church of S. Silvestro, Venice was altered in 1836-43, and NG 268 was folded and stored at this time.
Bought, 1855.
Gould 1975, pp. 318-20
Pignatti 1976, pp. 136-7
Cocke 1984, pp. 161-5', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '118', 'ImageFile' : 'N-0268-00-000015-WZ-PYR.tif', 'ImageCode' : 'N-0268-00-000015-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '5546', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '2514'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '118'

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2514 --> 118 N-0268-00 Paolo Veronese, 1528 - 1588
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    [ObjectID] => 117
    [ObjectCode] => N-0268-00
    [ObjectNumber] => NG268
    [ObjectDateBegin] => 1573-01-01
    [ObjectDateEnd] => 1573-12-31
    [ObjectDisplayDate] => 1573
    [ObjectDimensions] => 355.6 x 320 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Veronese, Paolo
    [ObjectAuthor] => Paolo Veronese, 1528 - 1588
    [ObjectTitle] => The Adoration of the Kings
    [ObjectShortTitle] => The Adoration of the Kings
    [ObjectCreditLine] => Bought, 1855
    [ObjectString] => NG268: Paolo Veronese, 1528 - 1588, The Adoration of the Kings, 1573, Oil on canvas, (355.6 x 320 cm), Bought, 1855.
    [ObjectLocation] => Room 9
    [ObjectPrivateLocation] => Gallery 09
    [ObjectPublicLocation] => Room 9
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => Dated bottom right: M.D.LXXIII. [1573].
The Three Kings have sought out the Child Jesus in the stable where he was born. They bear gifts (gold, frankincense and myrrh) and have journeyed from the East. New Testament (Matthew 2: 10-12). The ruins are intended to suggest that the new Christian order was born out of the decay of the old pagan order.
NG 268 comes from the church of S. Silvestro, Venice, where it was described in 1581. The attribution to Veronese has never been doubted, though varying degrees of studio assistance have been suggested. Given the date on the picture (1573), studio assistance would not be surprising: Veronese was also painting the huge canvas of the Feast in the House of Levi (Venice, Accademia) in this year.
Three drawings have been related to NG 268 (Haarlem, Teylers Museum; formerly Haarlem, Koenigs collection; formerly New York, Lehmann Collection). Several copies of the composition are known. The church of S. Silvestro, Venice was altered in 1836-43, and NG 268 was folded and stored at this time.
Bought, 1855.
Gould 1975, pp. 318-20
Pignatti 1976, pp. 136-7
Cocke 1984, pp. 161-5
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