{'ObjectID' : '1129', 'ObjectCode' : 'N-6595-00', 'ObjectNumber' : 'NG6595', 'ObjectDateBegin' : '1588-01-01', 'ObjectDateEnd' : '1592-12-31', 'ObjectDisplayDate' : 'about 1590', 'ObjectDimensions' : '41.3 x 32.4 cm', 'ObjectMedium' : 'Oil on copper', 'ObjectAlphaSort' : 'Carracci, Ludovico', 'ObjectAuthor' : 'Ludovico Carracci, 1555 - 1619', 'ObjectTitle' : 'The Marriage of the Virgin', 'ObjectShortTitle' : 'The Marriage of the Virgin', 'ObjectCreditLine' : 'Accepted by H.M. Government in lieu of Inheritance Tax and allocated to the National Gallery, 2003', 'ObjectString' : 'NG6595: Ludovico Carracci, 1555 - 1619, The Marriage of the Virgin, about 1590, Oil on copper, (41.3 x 32.4 cm), Accepted by H.M. Government in lieu of Inheritance Tax and allocated to the National Gallery, 2003.', 'ObjectLocation' : 'Room 37', 'ObjectPrivateLocation' : 'Gallery 37', 'ObjectPublicLocation' : 'Room 37', 'ObjectSchool' : 'Italian (Bolognese)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'The story of the marriage of the Virgin to Saint Joseph is recounted in The Golden Legend. Saint Joseph holds the flowering rod which identified him as the suitor who would marry the Virgin.
Painted with great delicacy and a rich palette, L413 recalls the works of Federico Barocci, an important influence on Ludovico Carracci. It would appear to date from the late 1580s.
Ludovico is reported by Malvasia (1678) to have painted two small paintings on copper of this subject: one was in the church of S. Maria Lacrimosa degli Alemanni in Bologna, and the other in the collection of the Marchesi Tanari, Bologna. L413 is almost certainly one of these. The other is in a private collection in Italy.
On loan from a private collection since 1988.
Emiliani 1993-4, p. 62, no. 29', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1154', 'ImageFile' : 'N-6595-00-000008-WZ-PYR.tif', 'ImageCode' : 'N-6595-00-000008-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4707', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '348'} /* Array ( [0] => 
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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1154'

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348 --> 1154 N-6595-00 Ludovico Carracci, 1555 - 1619
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    [ObjectID] => 1129
    [ObjectCode] => N-6595-00
    [ObjectNumber] => NG6595
    [ObjectDateBegin] => 1588-01-01
    [ObjectDateEnd] => 1592-12-31
    [ObjectDisplayDate] => about 1590
    [ObjectDimensions] => 41.3 x 32.4 cm
    [ObjectMedium] => Oil on copper
    [ObjectAlphaSort] => Carracci, Ludovico
    [ObjectAuthor] => Ludovico Carracci, 1555 - 1619
    [ObjectTitle] => The Marriage of the Virgin
    [ObjectShortTitle] => The Marriage of the Virgin
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    [ObjectLocation] => Room 37
    [ObjectPrivateLocation] => Gallery 37
    [ObjectPublicLocation] => Room 37
    [ObjectSchool] => Italian (Bolognese)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => The story of the marriage of the Virgin to Saint Joseph is recounted in The Golden Legend. Saint Joseph holds the flowering rod which identified him as the suitor who would marry the Virgin.
Painted with great delicacy and a rich palette, L413 recalls the works of Federico Barocci, an important influence on Ludovico Carracci. It would appear to date from the late 1580s.
Ludovico is reported by Malvasia (1678) to have painted two small paintings on copper of this subject: one was in the church of S. Maria Lacrimosa degli Alemanni in Bologna, and the other in the collection of the Marchesi Tanari, Bologna. L413 is almost certainly one of these. The other is in a private collection in Italy.
On loan from a private collection since 1988.
Emiliani 1993-4, p. 62, no. 29
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