{'ObjectID' : '1091', 'ObjectCode' : 'N-6523-00', 'ObjectNumber' : 'NG6523', 'ObjectDateBegin' : '1649-01-01', 'ObjectDateEnd' : '1649-12-31', 'ObjectDisplayDate' : '1649', 'ObjectDimensions' : '117 x 92 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Dolci, Carlo', 'ObjectAuthor' : 'Carlo Dolci, 1616 - 1686', 'ObjectTitle' : 'The Adoration of the Kings', 'ObjectShortTitle' : 'The Adoration of the Kings', 'ObjectCreditLine' : 'Bought, 1990', 'ObjectString' : 'NG6523: Carlo Dolci, 1616 - 1686, The Adoration of the Kings, 1649, Oil on canvas, (117 x 92 cm), Bought, 1990.', 'ObjectLocation' : 'Room 32', 'ObjectPrivateLocation' : 'Gallery 32', 'ObjectPublicLocation' : 'Room 32', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Dawson Carr', 'ObjectDescription' : 'Signed and dated in Latin and Italian on the reverse: ANO/SALVATIS/MDCIL/Al Sigre Tommaso generotti,/di mia età il trentesima/terzo/Io carlo dolci/Fiorentino (Year of Salvation 1649. To Signore Tommaso Generotti, in my thirty-third year. I Carlo Dolci, Florentine).<BR>Various other inscriptions appear on the reverse.<BR>The Three Kings sought out the Christ Child in the stable where he was born bearing gifts (gold, frankincense and myrrh). They journeyed from the East (suggested here by the inclusion of camels in the background). New Testament (Matthew 2: 10-12).<BR>NG 6523 is inscribed on the reverse with the name of the patron,Tommaso Generotti, who commissioned the picture for his personal collection. The picture is the largest version of this subject painted by Dolci (other versions are at Glasgow, City Museum and Art Gallery, and Blenheim Palace, Duke of Marlborough collection), and it is exceptionally well-preserved. The composition derives from an altarpiece painted by Santi di Tito in 1596 (now in the church of S. Marcina, Krzeszowice, Poland).<BR>Gerini collection, Florence, seventeenth century; bought, 1990.<BR>National Gallery Report 1990-1, pp. 8-11', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1114', 'ImageFile' : 'N-6523-00-000018-WZ-PYR.tif', 'ImageCode' : 'N-6523-00-000018-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '4710', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '678'}

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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '1114' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">678 --> 1114 N-6523-00 Carlo Dolci, 1616 - 1686</td></tr></table>
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<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
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    [ObjectCode] => N-6523-00
    [ObjectNumber] => NG6523
    [ObjectDateBegin] => 1649-01-01
    [ObjectDateEnd] => 1649-12-31
    [ObjectDisplayDate] => 1649
    [ObjectDimensions] => 117 x 92 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Dolci, Carlo
    [ObjectAuthor] => Carlo Dolci, 1616 - 1686
    [ObjectTitle] => The Adoration of the Kings
    [ObjectShortTitle] => The Adoration of the Kings
    [ObjectCreditLine] => Bought, 1990
    [ObjectString] => NG6523: Carlo Dolci, 1616 - 1686, The Adoration of the Kings, 1649, Oil on canvas, (117 x 92 cm), Bought, 1990.
    [ObjectLocation] => Room 32
    [ObjectPrivateLocation] => Gallery 32
    [ObjectPublicLocation] => Room 32
    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Dawson Carr
    [ObjectDescription] => Signed and dated in Latin and Italian on the reverse: ANO/SALVATIS/MDCIL/Al Sigre Tommaso generotti,/di mia età il trentesima/terzo/Io carlo dolci/Fiorentino (Year of Salvation 1649. To Signore Tommaso Generotti, in my thirty-third year. I Carlo Dolci, Florentine).<BR>Various other inscriptions appear on the reverse.<BR>The Three Kings sought out the Christ Child in the stable where he was born bearing gifts (gold, frankincense and myrrh). They journeyed from the East (suggested here by the inclusion of camels in the background). New Testament (Matthew 2: 10-12).<BR>NG 6523 is inscribed on the reverse with the name of the patron,Tommaso Generotti, who commissioned the picture for his personal collection. The picture is the largest version of this subject painted by Dolci (other versions are at Glasgow, City Museum and Art Gallery, and Blenheim Palace, Duke of Marlborough collection), and it is exceptionally well-preserved. The composition derives from an altarpiece painted by Santi di Tito in 1596 (now in the church of S. Marcina, Krzeszowice, Poland).<BR>Gerini collection, Florence, seventeenth century; bought, 1990.<BR>National Gallery Report 1990-1, pp. 8-11
    [ObjectStatusID] => 1
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    [ImageID] => 1114
    [ImageFile] => N-6523-00-000018-WZ-PYR.tif
    [ImageCode] => N-6523-00-000018-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 4710
    [ImageYsize] => 6000
    [FileGroup_ID] => 14
    [impos] => 678
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*/