{'ObjectID' : '1063', 'ObjectCode' : 'N-6470-00', 'ObjectNumber' : 'NG6470', 'ObjectDateBegin' : '1498-01-01', 'ObjectDateEnd' : '1507-12-31', 'ObjectDisplayDate' : 'about 1500-5', 'ObjectDimensions' : '74.9 x 47.3 cm', 'ObjectMedium' : 'Oil on oak', 'ObjectAlphaSort' : 'Master of the Saint Bartholomew Altarpiece', 'ObjectAuthor' : 'Master of the Saint Bartholomew Altarpiece, active about 1470 to about 1510', 'ObjectTitle' : 'The Deposition', 'ObjectShortTitle' : 'The Deposition', 'ObjectCreditLine' : 'Bought, 1981', 'ObjectString' : 'NG6470: Master of the Saint Bartholomew Altarpiece, active about 1470 to about 1510, The Deposition, about 1500-5, Oil on oak, (74.9 x 47.3 cm), Bought, 1981.', 'ObjectLocation' : 'Room 64', 'ObjectPrivateLocation' : 'Gallery 64', 'ObjectPublicLocation' : 'Room 64', 'ObjectSchool' : 'German', 'ObjectCurator' : 'Susan Foister', 'ObjectDescription' : 'Inscribed at the top of the cross in Hebrew and Greek, rather than the more usual Latin: Jesus of Nazareth King of the Jews.
After the crucifixion, Christ, his body stiffened by rigor mortis, is brought down from the cross. He is lowered by Nicodemus into the arms of Joseph of Arimathea. New Testament (Matthew 27: 37). At the left the swooning Virgin is held by Saint John the Evangelist. The Magdalen, whose pot of ointment is on the ground before her, leans on the ladder. Behind her one of the three Maries holds the crown of thorns. The skull on the ground marks the place as Golgotha. The scene is set in a fictive gilt shrine, framed by tracery, as though in imitation of a sculpted polychrome group - a device used in Rogier van der Weyden\'s famous Descent from the Cross (Madrid, Prado).
It is not known if NG 6470 was part of an altarpiece for a church, or intended for domestic devotions, although the latter seems more likely. It is thought to date from the first years of the sixteenth century.
Another much larger version of the subject by the artist, dated to about 1510, also survives (Paris, Louvre).
Ingram family collection, Temple Newsam, 1714; bought from the Earl of Halifax, 1981.
National Gallery Report 1980-1, pp. 50-1
Smith 1985, p. 82
Dunkerton 1991, p. 368', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1085', 'ImageFile' : 'N-6470-00-000016-WZ-PYR.tif', 'ImageCode' : 'N-6470-00-000016-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '3726', 'ImageYsize' : '6000', 'FileGroup_ID' : '14', 'impos' : '1573'} /* Array ( [0] =>

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1085'

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort

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1573 --> 1085 N-6470-00 Master of the Saint Bartholomew Altarpiece, active about 1470 to about 1510

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    [ObjectID] => 1063
    [ObjectCode] => N-6470-00
    [ObjectNumber] => NG6470
    [ObjectDateBegin] => 1498-01-01
    [ObjectDateEnd] => 1507-12-31
    [ObjectDisplayDate] => about 1500-5
    [ObjectDimensions] => 74.9 x 47.3 cm
    [ObjectMedium] => Oil on oak
    [ObjectAlphaSort] => Master of the Saint Bartholomew Altarpiece
    [ObjectAuthor] => Master of the Saint Bartholomew Altarpiece, active about 1470 to about 1510
    [ObjectTitle] => The Deposition
    [ObjectShortTitle] => The Deposition
    [ObjectCreditLine] => Bought, 1981
    [ObjectString] => NG6470: Master of the Saint Bartholomew Altarpiece, active about 1470 to about 1510, The Deposition, about 1500-5, Oil on oak, (74.9 x 47.3 cm), Bought, 1981.
    [ObjectLocation] => Room 64
    [ObjectPrivateLocation] => Gallery 64
    [ObjectPublicLocation] => Room 64
    [ObjectSchool] => German
    [ObjectCurator] => Susan Foister
    [ObjectDescription] => Inscribed at the top of the cross in Hebrew and Greek, rather than the more usual Latin: Jesus of Nazareth King of the Jews.
After the crucifixion, Christ, his body stiffened by rigor mortis, is brought down from the cross. He is lowered by Nicodemus into the arms of Joseph of Arimathea. New Testament (Matthew 27: 37). At the left the swooning Virgin is held by Saint John the Evangelist. The Magdalen, whose pot of ointment is on the ground before her, leans on the ladder. Behind her one of the three Maries holds the crown of thorns. The skull on the ground marks the place as Golgotha. The scene is set in a fictive gilt shrine, framed by tracery, as though in imitation of a sculpted polychrome group - a device used in Rogier van der Weyden\'s famous Descent from the Cross (Madrid, Prado).
It is not known if NG 6470 was part of an altarpiece for a church, or intended for domestic devotions, although the latter seems more likely. It is thought to date from the first years of the sixteenth century.
Another much larger version of the subject by the artist, dated to about 1510, also survives (Paris, Louvre).
Ingram family collection, Temple Newsam, 1714; bought from the Earl of Halifax, 1981.
National Gallery Report 1980-1, pp. 50-1
Smith 1985, p. 82
Dunkerton 1991, p. 368
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    [ImageID] => 1085
    [ImageFile] => N-6470-00-000016-WZ-PYR.tif
    [ImageCode] => N-6470-00-000016-WZ
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