{'ObjectID' : '1041', 'ObjectCode' : 'N-6420-00', 'ObjectNumber' : 'NG6420', 'ObjectDateBegin' : '1557-01-01', 'ObjectDateEnd' : '1577-12-31', 'ObjectDisplayDate' : 'about 1559-75', 'ObjectDimensions' : '178.8 x 197.8 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Titian', 'ObjectAuthor' : 'Titian, active about 1506; died 1576', 'ObjectTitle' : 'The Death of Actaeon', 'ObjectShortTitle' : 'The Death of Actaeon', 'ObjectCreditLine' : 'Bought with a special grant and contributions from The Art Fund, the Pilgrim Trust and through public appeal, 1972', 'ObjectString' : 'NG6420: Titian, active about 1506; died 1576, The Death of Actaeon, about 1559-75, Oil on canvas, (178.8 x 197.8 cm), Bought with a special grant and contributions from The Art Fund, the Pilgrim Trust and through public appeal, 1972.', 'ObjectLocation' : 'Central Hall', 'ObjectPrivateLocation' : 'Central Hall', 'ObjectPublicLocation' : 'Central Hall', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'In revenge for surprising her naked, bathing in the woods, Diana transformed the hunter Actaeon into a stag and he was killed by his own dogs. The female figure who holds a bow (without a string, or an arrow) probably represents the vengeful goddess. Ovid, Metamorphoses (III, 192-252).
Among Titian\'s most famous late works are the mythological paintings (poesie) commissioned by Philip II, King of Spain from 1556 to 1598. Titian had already painted the Discovery of the Pregnancy of Callisto and Diana discovered at her Bath by Actaeon (Edinburgh, National Galleries, Sutherland loan), and the sequel is illustrated in NG 6420. This picture was referred to in 1559 as \'Actaeon attacked by his dogs\' and was probably worked on into the mid-1560s. It was apparently never sent to Spain.
Collection of Queen Christina, Rome, by 1662-3; Orléans collection, Paris, by 1721; collection of Sir Abraham Hume by 1800; bought with a special grant and contributions from the NACF, the Pilgrim Trust and through public appeal, 1972.
Wethey 1975, pp. 136-8
Gould 1975, pp. 292-7', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1062', 'ImageFile' : 'N-6420-00-000035-WZ-PYR.tif', 'ImageCode' : 'N-6420-00-000035-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '5421', 'FileGroup_ID' : '14', 'impos' : '2395'} /* Array ( [0] =>

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SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1062'

[2] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort

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2395 --> 1062 N-6420-00 Titian, active about 1506; died 1576

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Array
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    [ObjectID] => 1041
    [ObjectCode] => N-6420-00
    [ObjectNumber] => NG6420
    [ObjectDateBegin] => 1557-01-01
    [ObjectDateEnd] => 1577-12-31
    [ObjectDisplayDate] => about 1559-75
    [ObjectDimensions] => 178.8 x 197.8 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Titian
    [ObjectAuthor] => Titian, active about 1506; died 1576
    [ObjectTitle] => The Death of Actaeon
    [ObjectShortTitle] => The Death of Actaeon
    [ObjectCreditLine] => Bought with a special grant and contributions from The Art Fund, the Pilgrim Trust and through public appeal, 1972
    [ObjectString] => NG6420: Titian, active about 1506; died 1576, The Death of Actaeon, about 1559-75, Oil on canvas, (178.8 x 197.8 cm), Bought with a special grant and contributions from The Art Fund, the Pilgrim Trust and through public appeal, 1972.
    [ObjectLocation] => Central Hall
    [ObjectPrivateLocation] => Central Hall
    [ObjectPublicLocation] => Central Hall
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => In revenge for surprising her naked, bathing in the woods, Diana transformed the hunter Actaeon into a stag and he was killed by his own dogs. The female figure who holds a bow (without a string, or an arrow) probably represents the vengeful goddess. Ovid, Metamorphoses (III, 192-252).
Among Titian\'s most famous late works are the mythological paintings (poesie) commissioned by Philip II, King of Spain from 1556 to 1598. Titian had already painted the Discovery of the Pregnancy of Callisto and Diana discovered at her Bath by Actaeon (Edinburgh, National Galleries, Sutherland loan), and the sequel is illustrated in NG 6420. This picture was referred to in 1559 as \'Actaeon attacked by his dogs\' and was probably worked on into the mid-1560s. It was apparently never sent to Spain.
Collection of Queen Christina, Rome, by 1662-3; Orléans collection, Paris, by 1721; collection of Sir Abraham Hume by 1800; bought with a special grant and contributions from the NACF, the Pilgrim Trust and through public appeal, 1972.
Wethey 1975, pp. 136-8
Gould 1975, pp. 292-7
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