{'ObjectID' : '989', 'ObjectCode' : 'N-6294-00', 'ObjectNumber' : 'NG6294', 'ObjectDateBegin' : '1468-01-01', 'ObjectDateEnd' : '1472-12-31', 'ObjectDisplayDate' : 'about 1470', 'ObjectDimensions' : '55.6 x 74.2 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Uccello, Paolo', 'ObjectAuthor' : 'Paolo Uccello, about 1397 - 1475', 'ObjectTitle' : 'Saint George and the Dragon', 'ObjectShortTitle' : 'Saint George and the Dragon', 'ObjectCreditLine' : 'Bought with a special grant and other contributions, 1959', 'ObjectString' : 'NG6294: Paolo Uccello, about 1397 - 1475, Saint George and the Dragon, about 1470, Oil on canvas, (55.6 x 74.2 cm), Bought with a special grant and other contributions, 1959.', 'ObjectLocation' : 'Room 55', 'ObjectPrivateLocation' : 'Gallery 55', 'ObjectPublicLocation' : 'Room 55', 'ObjectSchool' : 'Italian (Florentine)', 'ObjectCurator' : 'Dillian Gordon', 'ObjectDescription' : 'NG 6294 combines two incidents from the legend of Saint George (as recounted in The Golden Legend): his defeat of the dragon that had been terrorising a city and was about to devour a princess; and the rescued princess bringing the dragon to heel (with her girdle as a leash). The gathering storm may be intended to suggest divine assistance - the eye of the storm is in a direct line with the saint\'s lance.
Uccello is known to have painted the subject several times and a painting in Paris (Musée Jacquemart-André) may be an earlier version. The picture is one of the earliest paintings on canvas in the National Gallery and has a complicated layer of priming below the paint surface.
Lanckoronski collection, Vienna, by 1898; from where bought with a special grant and other contributions, 1959.
Davies 1961, pp. 532-3
Beck 1979, pp. 1-5
Dunkerton 1991, p. 164', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '1010', 'ImageFile' : 'N-6294-00-000069-WZ-PYR.tif', 'ImageCode' : 'N-6294-00-000069-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '4527', 'FileGroup_ID' : '14', 'impos' : '2430'} /* Array ( [0] =>
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    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
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[1] =>

SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND ImageID = '1010'

[2] =>
SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort
[3] =>
2430 --> 1010 N-6294-00 Paolo Uccello, about 1397 - 1475
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(
    [ObjectID] => 989
    [ObjectCode] => N-6294-00
    [ObjectNumber] => NG6294
    [ObjectDateBegin] => 1468-01-01
    [ObjectDateEnd] => 1472-12-31
    [ObjectDisplayDate] => about 1470
    [ObjectDimensions] => 55.6 x 74.2 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Uccello, Paolo
    [ObjectAuthor] => Paolo Uccello, about 1397 - 1475
    [ObjectTitle] => Saint George and the Dragon
    [ObjectShortTitle] => Saint George and the Dragon
    [ObjectCreditLine] => Bought with a special grant and other contributions, 1959
    [ObjectString] => NG6294: Paolo Uccello, about 1397 - 1475, Saint George and the Dragon, about 1470, Oil on canvas, (55.6 x 74.2 cm), Bought with a special grant and other contributions, 1959.
    [ObjectLocation] => Room 55
    [ObjectPrivateLocation] => Gallery 55
    [ObjectPublicLocation] => Room 55
    [ObjectSchool] => Italian (Florentine)
    [ObjectCurator] => Dillian Gordon
    [ObjectDescription] => NG 6294 combines two incidents from the legend of Saint George (as recounted in The Golden Legend): his defeat of the dragon that had been terrorising a city and was about to devour a princess; and the rescued princess bringing the dragon to heel (with her girdle as a leash). The gathering storm may be intended to suggest divine assistance - the eye of the storm is in a direct line with the saint\'s lance.
Uccello is known to have painted the subject several times and a painting in Paris (Musée Jacquemart-André) may be an earlier version. The picture is one of the earliest paintings on canvas in the National Gallery and has a complicated layer of priming below the paint surface.
Lanckoronski collection, Vienna, by 1898; from where bought with a special grant and other contributions, 1959.
Davies 1961, pp. 532-3
Beck 1979, pp. 1-5
Dunkerton 1991, p. 164 [ObjectStatusID] => 1 [PublicAccess] => 1 [GroupNumber] => [GroupTitle] => [GroupArtist] => [GroupDate] => [GroupParts] => [ImageID] => 1010 [ImageFile] => N-6294-00-000069-WZ-PYR.tif [ImageCode] => N-6294-00-000069-WZ [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/ [ImageLevels] => 6 [ImageXsize] => 6000 [ImageYsize] => 4527 [FileGroup_ID] => 14 [impos] => 2430 )
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