{'ObjectID' : '99', 'ObjectCode' : 'N-0234-00', 'ObjectNumber' : 'NG234', 'ObjectDateBegin' : '1521-01-01', 'ObjectDateEnd' : '1525-12-31', 'ObjectDisplayDate' : 'after 1520', 'ObjectDimensions' : '155.3 x 263.5 cm', 'ObjectMedium' : 'Oil on canvas', 'ObjectAlphaSort' : 'Catena, Vincenzo', 'ObjectAuthor' : 'Vincenzo Catena, active 1506 - 1531', 'ObjectTitle' : 'A Warrior adoring the Infant Christ and the Virgin', 'ObjectShortTitle' : 'A Warrior adoring the Infant Christ and the Virgin', 'ObjectCreditLine' : 'Bought, 1853', 'ObjectString' : 'NG234: Vincenzo Catena, active 1506 - 1531, A Warrior adoring the Infant Christ and the Virgin, after 1520, Oil on canvas, (155.3 x 263.5 cm), Bought, 1853.', 'ObjectLocation' : 'Room 10', 'ObjectPrivateLocation' : 'Gallery 10', 'ObjectPublicLocation' : 'Room 10', 'ObjectSchool' : 'Italian (Venetian)', 'ObjectCurator' : 'Carol Plazzotta', 'ObjectDescription' : 'NG 234 appears to be a votive picture, but its exact meaning has not been established. The warrior wears European armour but the silk of his head-dress is from Islamic North Africa, the trappings of his horse are from Islamic Spain, and a dagger and belt hanging on the wall are also of Islamic style. If he is a Saracen convert to Christianity, NG 234 may commemorate his conversion. The quail may be a symbol of truth as baby quail are said always to recognise their (true) mother\'s call.<BR>Standish collection by 1841; Woodburn collection by 1853; bought, 1853.<BR>Robertson 1954, pp. 68-9<BR>Gould 1975, pp. 50-1', 'ObjectStatusID' : '1', 'PublicAccess' : '1', 'GroupNumber' : '', 'GroupTitle' : '', 'GroupArtist' : '', 'GroupDate' : '', 'GroupParts' : '', 'ImageID' : '100', 'ImageFile' : 'N-0234-00-000021-WZ-PYR.tif', 'ImageCode' : 'N-0234-00-000021-WZ', 'ImagePath' : '/pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/', 'ImageLevels' : '6', 'ImageXsize' : '6000', 'ImageYsize' : '3491', 'FileGroup_ID' : '14', 'impos' : '360'}

/*
Array
(
    [0] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
(
    [what] => details
    [val] => 100
    [crop] => false
    [sqllimit] =>  AND FileGroup_id in (14) 
    [whichdb] => externalIIP
    [whichtable] => Image
    [sortby] => ObjectAlphaSort
)
</pre></td></tr></table>
    [1] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><br>SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND ImageID = '100' <br><br></td></tr></table>
    [2] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">SELECT * FROM Object, Image WHERE Object.ObjectID = Image.ObjectID  AND FileGroup_id in (14) ORDER BY Object.ObjectAlphaSort</td></tr></table>
    [3] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left">360 --> 100 N-0234-00 Vincenzo Catena, active 1506 - 1531</td></tr></table>
    [4] => 
<table border="1" align="center" width="95%"><tr><td width="30"><b></b></td><td align="left"><pre>Array
(
    [ObjectID] => 99
    [ObjectCode] => N-0234-00
    [ObjectNumber] => NG234
    [ObjectDateBegin] => 1521-01-01
    [ObjectDateEnd] => 1525-12-31
    [ObjectDisplayDate] => after 1520
    [ObjectDimensions] => 155.3 x 263.5 cm
    [ObjectMedium] => Oil on canvas
    [ObjectAlphaSort] => Catena, Vincenzo
    [ObjectAuthor] => Vincenzo Catena, active 1506 - 1531
    [ObjectTitle] => A Warrior adoring the Infant Christ and the Virgin
    [ObjectShortTitle] => A Warrior adoring the Infant Christ and the Virgin
    [ObjectCreditLine] => Bought, 1853
    [ObjectString] => NG234: Vincenzo Catena, active 1506 - 1531, A Warrior adoring the Infant Christ and the Virgin, after 1520, Oil on canvas, (155.3 x 263.5 cm), Bought, 1853.
    [ObjectLocation] => Room 10
    [ObjectPrivateLocation] => Gallery 10
    [ObjectPublicLocation] => Room 10
    [ObjectSchool] => Italian (Venetian)
    [ObjectCurator] => Carol Plazzotta
    [ObjectDescription] => NG 234 appears to be a votive picture, but its exact meaning has not been established. The warrior wears European armour but the silk of his head-dress is from Islamic North Africa, the trappings of his horse are from Islamic Spain, and a dagger and belt hanging on the wall are also of Islamic style. If he is a Saracen convert to Christianity, NG 234 may commemorate his conversion. The quail may be a symbol of truth as baby quail are said always to recognise their (true) mother\'s call.<BR>Standish collection by 1841; Woodburn collection by 1853; bought, 1853.<BR>Robertson 1954, pp. 68-9<BR>Gould 1975, pp. 50-1
    [ObjectStatusID] => 1
    [PublicAccess] => 1
    [GroupNumber] => 
    [GroupTitle] => 
    [GroupArtist] => 
    [GroupDate] => 
    [GroupParts] => 
    [ImageID] => 100
    [ImageFile] => N-0234-00-000021-WZ-PYR.tif
    [ImageCode] => N-0234-00-000021-WZ
    [ImagePath] => /pics/tmp/websiteimages/Website_Collection_Online/Web Zoom Images/WZ web NG Fronts/
    [ImageLevels] => 6
    [ImageXsize] => 6000
    [ImageYsize] => 3491
    [FileGroup_ID] => 14
    [impos] => 360
)
</pre></td></tr></table>
)

*/